厝格海韵:从前喻到并喻的闽南地域性建筑设计研究  

Reflection of Dacuo and Rhythm of Ocean:A study of Southern Fujian Regional Architecture Design from Postfigurative to Cofigurative Culture

作　　者：陈宏 王长庆 王绍森[1] CHEN Hong;WANG Changqing;WANG Shaosen

机构地区：[1]厦门大学建筑与土木工程学院

出　　处：《建筑师》2021年第1期74-82,共9页The Architect

基　　金：国家自然科学基金面上项目(编号:51878581)。

摘　　要：本文梳理了1990年代以来闽南地区地域建筑设计的发展过程。借由美国文化人类学家玛格丽特·米德的"三喻"理论,将这一过程分为受闽南文化影响较深、表现出更多前喻性的厝格时期,以及受自然及技术影响较深、表现出更多并喻性的海韵时期,并分析在每一时期,文化与环境的力量如何作用于建筑。This article reviews the development of Southern Fujian regional architecture design since the 1990 s.Meanwhile,by invoking the generation culture theory propose by American cultural anthropologist Margaret Mead,this process was classified into two stages:Reflection of Dacuo,during which it showed more influence by Southern Fujian culture and more postfigurative quality;and Rhythm of the Ocean,during which more impact derived from nature and technology,thus presents more as cofigurative culture.The article then analyzes how the power of culture and environment reflects on architecture.

关 键 词：地域建筑 文化人类学 前喻文化 并喻文化 设计史 

分 类 号：TU201[建筑科学—建筑设计及理论]