承流接响:李东阳格调论对严羽诗学的传扬  

Inheriting the Style: On Li Dongyang’s Succession of Ethos from Yan Yu’s Poetics

作　　者：雷恩海[1] LEI En-hai(College of Literature,Lanzhou University,Lanzhou 730000,Gansu,China)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《石河子大学学报（哲学社会科学版）》2021年第2期111-117,共7页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：兰州大学中央高校项目“隋唐五代文学与文化共同体建设”(18LZUJBWZD003)。

摘　　要：明初,台阁体末流把诗歌变成了敷衍应酬、歌功颂德的工具,追求典雅平正、雍容高华,讲求近体诗格律之严整,而丧失了诗之率真情性意致的表达,背离了抒情诗的优秀传统,徒具形式之华巧。李东阳远绍严羽诗学,接受严羽“诗者,吟咏情性也”——对抒情诗本质的重新界定,讲求格调,重视字法、句法之辨析,倡导声律风韵,通过诗歌的音律美以追求诗之真情,使师古能有一个切实的途径,为台阁体寻找合理的出路,进行理论上的建构,茶陵诗派兴盛一时。李东阳之格调论,以吟咏情性为诗歌之本源,从而呈现出开放的态势,对后来的前七子有先导之功。In the beginning of Ming Dynasty,those bad poems of court style turned poetry into tool of carrying on social intercourse and praising people in high positions,seeking sheer classical and high-toned style and rather strict meter and rhyme of traditional poetry.Thus these poems lost the direct poetic expression of ample emotion and true feelings and broke themselves away from the excellent tradition of lyric poetry,with only the magnificence of the form.Li Dongyang succeeded Yan Yu’s poetic concept of“poetry is to express emotion and feeling”.He redefined the nature of lyric poetry,paying attention to style,attaching importance on discrimination of diction and syntax and proposing phonetic characteristics.His purpose is to seek for the true meaning of poetry by the beauty of sound in the poems,to render the inheriting of ancient style as a practical means and to find a reasonable development path for court style poetry.With these theoretic explanation,the school of Cha Ling poetry became popular.Li Dongyang’s explanation on ethos deemed that the expression of emotion and feeling is the origin of poetry,which shows an open attitude in poetry writing,thus influencing the School of Pre-ming poetry in later times.

关 键 词：李东阳 严羽 格调 声韵 吟咏情性 

分 类 号：I207.22[文学—中国文学]