探析大历时期钱起在自然书写诗中的情景关系  

A Study of Relationship Between Scenes and Emotions in Qian Qi’s Landscape Poetry

作　　者：谢明辉 XIE Ming-hui(Sanming University,Sanming 365004,China)

机构地区：[1]三明学院,福建三明365004

出　　处：《宜春学院学报》2021年第2期92-97,共6页Journal of Yichun University

摘　　要：钱起在佛寺诗和行旅诗中的自然书写显现他的人生境遇,情景关系在古代文论上是重要解诗的方法之一。笔者先综述历代情景关系后,再分析他诗中之情和景的关系,并联系其生平遭遇。据此可发现二个成果:第一,他所到过的佛寺所描绘的自然之景皆反映钱起的不安心境,但最后的情都因接触佛寺而获得平静;第二,他行旅诗中的自然书写乃借由灰暗之景兴起了怀乡之情,这种漂泊不安之乡愁,本质上是悲怅的,尚有一种在基调上是欢悦,是一种浑然之情,表现出忘归而融入自然之心,本质是闲适的。I take Qian Qi’s Landscape Poetry for example,analyzing the relationship between the scenes as well as emotions in his poems and contact his life experiences.Therefore,I found two results:first,the natural scenery around temples he visited which were described in his poems reflected Qian Qi’s uneasy mood,but the final conditions are obtained through contacting with Buddhist calm.Secondly,What Qian Qi described during his journey in his poem touched off the feelings of nostalgia by noting the dark scenery,and the nostalgia with restless wanderings was sad in essence.The other tone in his poems was a kind of joy essentially with integration of self and nature,revealing the leisure mood with forgetting to go home to be close to the nature.

关 键 词：诗人生平 大历时期 钱起 情景关系 自然书写 

分 类 号：I222[文学—中国文学]