当代黑龙江水彩画地域性的文化传承考察  

Investigation on Cultural Inheritance about the Regionalism Contemporary Watercolor Paintings of Heilongjiang

作　　者：赵占元[1] ZHAO Zhan-yuan(College of Fine Arts and Art Design,Qiqihar University,Qiqihar Heilongjiang 161006,China)

机构地区：[1]齐齐哈尔大学美术与艺术设计学院,黑龙江齐齐哈尔161006

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2021年第4期146-148,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：黑龙江省艺术科学规划项目:多元文化背景下的黑龙江水彩艺术发展研究:2019D041。

摘　　要：黑龙江水彩画地域文化色彩浓厚,面对域外与本土,传统与现代、多民族文化交汇的时空维度,地域风貌、人文环境、自然风光孕育其中,演化为多样地域化艺术生态。艺术家们坚守北疆,关注现实、立足当代,厚积薄发。在白山黑水,林海雪原潜心耕耘,走出了水彩画民族性、地域性和多元化的求索之路。The regional culture of Heilongjiang watercolor painting is strong.Foreign and local cultures,traditional and modern,and multi-ethnic cultures intersect.The spatial and temporal dimension,regional style,cultural environment and natural scenery are nurtured and evolved into a variety of regional art ecology.The artists stick to the northern territory,pay attention to the reality,based on the contemporary,accumulate steadily.They worked hard in the Changbai Mountains,Heilongjiang River,the sea of forests and the vast snow fields,and embarked on the road of searching for the nationality,region and diversification of watercolor painting.

关 键 词：黑龙江 水彩画 地域性 文化传承 

分 类 号：J215[艺术—美术]