“本土化”艺术人类学理论建构臆说  

Hypothesis of Indigenization Theory Construction in Anthropology of Arts

作　　者：范春义 曹广华 Fan Chunyi;Cao Guanghua(Jiangsu Normal University,Xvzhou,Jiangsu Province,221116)

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《内蒙古艺术学院学报》2021年第1期70-76,共7页Journal of Inner Mongolia Arts University

基　　金：2017年度国家社科基金后期资助项目《中国古戏台题记文献汇编》(项目编号:18FZW026)的阶段性成果;2019年度教育部人文社会科学研究一般项目《台湾地区戏曲碑刻整理与研究》(项目编号:19YJAZH013)阶段性成果。

摘　　要：艺术人类学本土化理论建构是艺术人类学的重要研究内容,《新时期以来中国艺术人类学的知识谱系研究》沉淀了艺术人类学界关于本土化理论建构的系统成果,具有积极的建设意义,也为"接着谈"提供了探讨平台。基于理论通约和本质层级论,可使相关理论的总结和思考进一步深入。除了已有共识,立足于中国传统文化国情,兄弟学科理论,中国文献国情,可为本土化理论建构提供新的视角和支撑。Indigenization theory construction in Anthropology of Arts is an important part in Anthropology research.The Study of Genealogy of Knowledge of Chinese Anthropology of Arts Since New Era has accumulated systematic achievements of indigenization theory construction in the field of Anthropology of Arts,which not only demonstrated a positive significance in study,but also provided a platform for further research.According to Theory Commensuration and the Essence Hierarchy Theory,we can further develop the summaries and thoughts of related theories of indigenization.In addition to the existing consensus,based on the national conditions of Chinese traditional culture,theories of similar subjects and national conditions of Chinese literature,we can provide a new perspective and support in indigenization theory construction.

关 键 词：艺术人类学 本土化理论 传统文化国情 文献国情 

分 类 号：J0[艺术—艺术理论]