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作 者:吴玉珍[1] 王青兰 张梦丽 WU Yu-zhen;WANG Qing-lan;ZHANG Meng-li(College of Literature and International Sinology,Lanzhou Jiaotong University,Lanzhou 730070,China)
机构地区:[1]兰州交通大学文学与国际汉学院,兰州730070
出 处:《兰州交通大学学报》2021年第2期169-172,共4页Journal of Lanzhou Jiaotong University
摘 要:从生态批评的视角来透视《刺猬歌》《炸裂志》《狼图腾》《中国虎》中人与动物、人与自然之间唇齿相倚,荣辱与共的关系,对文本凸显的生态理念在当下境遇中重新进行反思审视是本文探讨的主旨所在。在环境污染和自然生态失衡导致疾病传染源日益猖獗的今天,这种现代性反思有巨大的现实意义:世人应具有生态主义的整体思想,反对人类中心主义,纠正社会生态的片面化发展,使自然生物的多样性和生态失衡得以全面的恢复和纠正;人类要从思想文化的深层次树立、普及全民生态环保意识,创造出与自然万物和谐共处的人类生态文化和生存发展新模式;生态文学还要走出创作与批评的瓶颈,为生态批评理论建设开辟新的研究思路,构建二十一世纪全新的生态理念。From the perspective of ecological criticism,this paper analyzes the close relationship between man and animals,man and nature,and the relationship between honor and disgrace in Hedgehog Song,Zha Chian Zhi,Wolf Totem and Chinese Tiger,aiming to re-reflect and examine the ecological concept highlighted in the current situation.Today,when environmental pollution and imbalance of natural ecology increasingly lead to rampant sources of infectious diseases,this reflection on modernity has great practical significance.The world should have the overall idea of Ecologism,oppose the anthropocentrism,and correct the one-sided development of social ecology so that the diversity of natural creatures and ecological imbalance can be fully restored and corrected.Human beings should establish and popularize the awareness of ecological and environmental protection from the deep level of ideology and culture to create a new mode of human ecological culture and survival and development that coexists harmoniously with all things in nature.Ecological literature should break through the bottleneck of creation and criticism,open up new research ideas for the construction of ecological criticism theory to construct a new ecological concept in the 21st century.
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