客家筝乐的文化属性及其审美特征研究  

Cultural Property and Aesthetic Character Study of Hakka School of Zheng

作　　者：尹璐[1] YIN Lu

机构地区：[1]武汉音乐学院中国器乐系,武汉430000

出　　处：《黄钟（武汉音乐学院学报）》2020年第4期138-147,164,共11页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：2020年度湖北省教育厅科学技术研究项目计划指导性项目《客家筝乐的音乐形态及其审美特征研究》(项目编号:B2020122)阶段性成果。

摘　　要：近代形成于广东省大埔县的客家筝派又被称作“儒家筝派”,因其受儒家文化影响而具有文人雅乐之特征。文章借助文献、田野调查及演奏实践,从客家筝乐来源、客家筝人人文背景、客家筝曲内容三方面阐述客家筝派与儒家文化的内在关联,体现了客家筝乐中和之美、崇简喜静、重艺轻技、尽善尽美的音乐审美特点。The Hakka School of Zheng formed in modern times in Guangdong Province,Dapu County,is also called as Confucianism School of Zheng.It is influenced by Confucianism and thus obtained characters of Literati Gagaku Music.By means of literature review,field research,and performance practice,this paper illustrates internal connections between Hakka School of Zheng and Confucian culture through the source,the cultural background,and the content of Hakka School of Zheng.Hakka School appreciates beauty of neutralization,concise and tranquilness;emphasizes art rather than technique,and in everlasting pursuit of perfect.

关 键 词：客家筝乐 儒家文化 罗九香 何玉斋 音乐审美 

分 类 号：J607、J632.32[艺术—音乐]