当代非虚构写作的生活记忆与生态情感——以《爱,遗落在森林和草地》为例  

Life Memories and Ecological Emotions of Contemporary Nonfiction Writing:A Case Study of Love,Lost in the Forest and Grassland

作　　者：王丙珍[1] WANG Bingzhen(School of Literature, Mudanjiang Normal University, Mudanjiang 157011, China)

机构地区：[1]牡丹江师范学院文学院,黑龙江牡丹江157011

出　　处：《中北大学学报（社会科学版）》2021年第3期13-17,共5页Journal of North University of China：Social Science Edition

基　　金：黑龙江省优势特色学科建设项目:地方语言文学(DF-2017-10233);牡丹江师范学院博士科研启动基金项目:牡丹江民俗文化产业发展研究(MNUB201606)。

摘　　要：当代非虚构写作是基于作家自身的人生经历、审美体验、生活记忆、家园意识、生态伦理和情感的生命书写,规避人与自然环境二元对立的思维模式与立场,扬弃人类中心主义或生态中心主义的一元观,以生存、生活、生命、生态、爱为核心,彰显作家的非虚构文学观和生态审美理想,追求真善美共存的生态伦理价值。结合黑龙江本土作家田犁的诗歌与散文集《爱,遗落在森林和草地》,阐释当代非虚构写作的文化生态语境,生活记忆的空间叙事、生态情感和生命书写,凸显创意写作在山村和城市的环境问题、保护生态的责任及审美救赎层面的文化功能与社会价值。Contemporary nonfiction writing is based on writers’own life experiences,aesthetic experiences,life memories,home consciousness,and ecological ethics and emotion.It avoids the binary opposition of human and natural environment,abandons the monism of anthropocentrism or eco-centrism,and highlights writers’views of nonfiction,ecological aesthetics and pursuit of ecological ethic values of the coexistence of truth,goodness and beauty with the concepts of survival,living,life,ecology and love.This article discusses the cultural and ecological contexts of contemporary nonfiction writing,the spatial narrative of life memories,ecological emotions and life writing based on Tian Li’s Love,Lost in the Forest and Grassland,and highlights the cultural functions and social values of creative writing in the fields of environmental problems in villages and cities,ecological protection responsibility and aesthetic salvation.

关 键 词：非虚构写作 生活记忆 生态情感 审美救赎 《爱 遗落在森林和草地》 

分 类 号：I206.7[文学—中国文学]