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作 者:韩凌云[1] Han Lingyun
出 处:《家具与室内装饰》2021年第3期100-102,共3页Furniture & Interior Design
基 金:2018年广东省普通高校重点科研平台和科研项目(2018WQNCX191)。
摘 要:端砚石余料产品的开发是端砚石愈来愈少及限采情况下,合理利用资源,丰富砚石产品,加快肇庆文化及岭南文化传播的重要途径。在众多产品范畴内,将端砚石余料进行饰品开发具有天然的材质优势、技术优势、社会环境优势。端砚石余料的饰品开发必须对其美学价值进行深入研究,并以本土特色资源和文化为依托。本土文化是端砚石余料饰品开发取之不尽用之不竭的源泉。端砚石余料的饰品开发还需以端州制砚技艺和四会玉器工艺为指导,并结合其他各种材料和工艺。The yield of Duanzhou inkstone is decreasing,and China has put a limitation on the mining of Duanzhou inkstone.Against such a background,the product development of Duanzhou inkstone surplus material is an important way to make rational use of the resources,enrich inkstone products,and accelerate the spread of Zhaoqing and Lingnan culture.In a wide range of product categories,the decoration development with Duanzhou inkstone surplus material has natural advantages in material,techniques,and social environment.To realize its development,we must study the aesthetic value deeply of Duanzhou inkstone surplus material and rely on the local resources and culture,for local culture is the inexhaustible source of decoration development.The decoration development should also be guided by inkstone-making technology in Duanzhou and jade craft in Sihui,and be combined with other materials and crafts.
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