矶崎新地域性建筑创作在中国的实践  

The Practice of Arata Isozaki Regional Architecture Creation in China

作　　者：王琳[1] 刘松茯[1] Wang Lin;Liu Songfu(School of Architecture,Harbin Institute of Technology,Key Laboratory of Cold Region Urban and Rural Human Settlement Environment Science and Technology,Ministry of Industry and Information Technology,Harbin Heilongjiang 510000,China)

机构地区：[1]哈尔滨工业大学建筑学院,寒地城乡人居环境科学与技术工业和信息化部重点实验室,黑龙江哈尔滨510000

出　　处：《城市建筑》2021年第7期157-161,共5页Urbanism and Architecture

摘　　要：近年来,建筑创作的地域化成为主要趋势,自幼接触中国传统文化熏陶的矶崎新致力于将中国地域性文化的河流融于现代化发展的浪潮之中。矶崎新以其作为一名日本建筑师的独特视角下,使中国建筑的地域性以一种别开生面的方式徐徐展开。本文采用案例分析的方法对矶崎新21世纪以来在中国范围内的建筑作品及思想进行研究,旨在探索矶崎新建筑创作中地域性与时代性的平衡倾向,以期为我国相关建筑领域发展提供借鉴。In recent years,the regionalization of architectural creation has become the main trend.Arata Isozaki,who has been exposed to the influence of Chinese traditional culture since childhood,is committed to integrating the river of Chinese regional culture into the wave of modernization.With his unique perspective as a Japanese architect,Arata Isozaki makes the regionalism of Chinese architecture unfold in a new way.This paper adopts the method of case analysis to study the architectural works and thoughts of Arata Isozaki in China since the 21 st Century,aiming to explore the balance tendency between regional and epochal in his architectural creation,so as to provide a reference for the development of related architectural fields in China.

关 键 词：矶崎新 地域性 时代性 数字化 

分 类 号：TU201[建筑科学—建筑设计及理论]