实验之维:生态艺术的本体性建构  

The Dimensions of Experiment:on Ontological Construction of Ecological Art

作　　者：王蓓蕾 Wang Beilei

机构地区：[1]不详

出　　处：《当代美术家》2021年第2期38-41,共4页Contemporary Artists

摘　　要：在实验艺术的学科体制下,生态艺术在努力拓展疆界以建构新的艺术方向,这对当下的艺术状况形成了强烈的冲击。本文从生态主题表达、生态原则内化、生态媒介转换、艺术体制与观念拓展几个方面,强调生态艺术作为新的艺术形态如何实现生态主题向生态媒介的转换同时厘清生态艺术概念,推动生态艺术的本体性建构。With the maturity of the discipline system of experimental art,ecological art is also trying to expand its own horizons for new artistic possibilities,which has created a strong impact on the current artistic forms.Based on the expression of ecological theme,the internalization of ecological principles,the transformation of ecological media,and the expansion of artistic system and concept,the article further discusses how ecological art,as a new artistic form,can facilitate the transformation from ecological theme to ecological medium.Meanwhile,it tries to clarify the concept of ecological art so as to promote the ontological construction of ecological art.

关 键 词：实验艺术 生态艺术 本体性 媒介 

分 类 号：J05[艺术—艺术理论]