新版苏州滑稽戏《苏州两公差》的精神内涵  

The Spiritual Connotation ofthe New version of Suzhou burlesque Two Officials in Suzhou

作　　者：赵倩[1] ZHAO Qian(Institute of Quyi,Chinese National Academy of Arts,Beijing 100012)

机构地区：[1]中国艺术研究院曲艺研究所,北京100012

出　　处：《艺术百家》2021年第2期89-93,共5页Hundred Schools In Arts

基　　金：2020年度国家哲学社会科学基金艺术学重大项目“新中国文艺院团发展史研究”(项目编号:20ZD06)阶段性成果。

摘　　要：《苏州两公差》是20世纪50年代改编自闵剧《练印》的苏州滑稽戏经典作品,在老版的基础上,由苏州市滑稽剧团重排的新版《苏州两公差》在剧本结构、语言及表演、音乐设计外部形式等方面做了细致调整,使该剧具有鲜明的时代感,与当下观众的审美需求产生了很好的共鸣,体现出主创团队的探索精神。此外,作品的成功上演,还在于它不仅继承了经典剧目本身蕴含的批判精神,而且还有所升华,也更好地塑造了两公差急公好义、不惧权势,假扮钦差惩恶扬善,为民伸冤请命的高尚品格。"Two officials in Suzhou "is a Suzhou burlesque classic work in the 1950s,on the basis of the old version,the new edition of"two officials in Suzhou" rearranged by the Suzhou burlesque Troupe.In terms of script structure,language,performance and music design,made careful adjustments,so that the play has a distinct sense of the times,and the audience's aesthetic needs have a good resonance,reflecting the spirit of exploration of the main creative team.In addition,the success of the performance of the work lies in the fact that it not only inherits the critical spirit inherent in the classic repertoire itself,but also sublimates it.Also shaped the noble character of the two officials to pursue justice,not fear the power,punish the evil and promote the good,and relieve the people of the injustice.

关 键 词：《苏州两公差》 滑稽戏 探索精神 批判精神 

分 类 号：J05[艺术—艺术理论]