国家形象与民族文化的“主场”生成——以国宴用瓷为媒介的表征意指实践  

The Formation of National Image and National Culture in the Host Diplomatic Conferences:The Practice of Symbolic Representation on Porcelain for State Banquets

作　　者：刘世平 王爱红 LIU Shi-ping;WANG Ai-hong

机构地区：[1]景德镇陶瓷大学设计艺术学院

出　　处：《云南社会科学》2021年第3期170-178,189,共10页Social Sciences in Yunnan

基　　金：国家社会科学基金艺术学重大项目“中国陶瓷艺术发展研究(1949—2019)”(项目号:19ZD24)的阶段性成果。

摘　　要：国宴用瓷作为国家主场外交场合的重要物质媒介,具有塑造国家形象、传播民族文化的作用。以国宴用瓷为媒介的表征意指实践是一种多维度、多视角且能够以身体体验为基础的国家意志的生成过程。在这个过程中,国宴用瓷通过象征、隐喻、借代的方式对国家形象进行表征,并通过"文本"符号续构、"空间"语境共构、"仪式"精神延续的方式达到对中国民族文化的传播。而在全球化语境下,媒介在构建国家视觉形象,传播民族文化时,应注重采取图案化、象征化的表达方式,对传统符号进行现代化重构,并不断创新媒介传播方式,以传达具有中国特色的民族文化精神。Porcelain for state banquets plays an important role in shaping national image and spreading national culture as an important material medium in national diplomatic occasions.This paper studies the symbolic representation practice of porcelain for state banquets in the host diplomatic conferences with the method of symbolic analysis,in order to explore how to generate the national image and national culture.Generally speaking,the representation practice of porcelain for state banquet is a multi-dimensional and multi perspective generation process of national will,which is based on physical experience.In this process,the national image is represented by media symbols through symbol,metaphor and metonymy,and Chinese traditional culture is spread through the reconstruction of text symbols,the contrast of spatial context and the shaping of ritual spirit.

关 键 词：主场外交 国家形象 民族文化 国宴用瓷 符号表征 

分 类 号：G125[文化科学]