德理情韵之间——中国电影诗学的古典审美意蕴  

Between Morality and Reason:An Analysis of the Classical Aesthetic Implication of Chinese Film Poetics

作　　者：王方兵 姜勇[2] Wang Fangbing;Jiang Yong

机构地区：[1]吉林大学 [2]吉林大学文学院

出　　处：《电影艺术》2021年第2期33-40,共8页Film Art

摘　　要：对主体性和内在生命体验的重视是中国文化传统的突出取向,由此中国古典诗学形成了自己的价值追求:关注现实人生、注重情性和心志的抒发表达。中国电影也表现出相应的民族格调:电影的价值观念以主体心性为内核,并在道德理性和情志怀抱二维之间游移摆荡。现代电影艺术的审美风格、主题意蕴与古典诗学价值系统的接通,可帮助电影批评突破对文本表述策略的单向分析;从文化心理的深层结构把握其审美意蕴的诗性品格,为探知中国电影〖批评民族话语找寻新的切入点。The emphasis on subjectivity and inner life experience is an important orientation of Chinese cultural tradition,which also affects the value pursuit of Chinese classical poetics and forms a judgment standard different from the western poetics system;it pays attention to real life and the expression of emotion and mind.As a way of observation,Chinese film poetics is also influenced by this logic:the values of film aesthetic connotation are related to the philosophy of mind and nature,swinging between the two dimensions of moral rationality and emotional embrace.The connection between the aesthetic style and theme of modern film art and the value system of classical poetics can help film criticism break through the one-way analysis of narrative logic,plot mode,audio-visual structure and other expression strategies,and grasp the poetic character of aesthetic implication from the deep structure of cultural psychology.

关 键 词：中国电影诗学 心性本体 审美意蕴 民族话语 

分 类 号：J905[艺术—电影电视艺术]