论《豆棚闲话》的“豆棚”意象  

Discussing the Image of Bean Shed in Beans Canopy

作　　者：李瑜婕 LI Yu-jie(South China Normal University,Guangzhou,Guangdong,China,510631)

机构地区：[1]华南师范大学,广东广州510631

出　　处：《广东开放大学学报》2021年第2期57-63,共7页JOURNAL OF GUANGDONG OPEN UNIVERSITY

摘　　要：清人艾衲居士的拟话本小说《豆棚闲话》包蕴了一个重要的意象,即“豆棚”意象,这个意象在小说文本中具有多种指涉意义,为后人解读小说文本敞开了一道门径。作为自然意象的“豆棚”,其春荣秋枯的生长特点正好对应了时空的变化,反映了中国古代人民的时空观念及时空意识。就叙事学意义而言,“豆棚”是贯穿小说的一条明线,作者以此串联文本,显示了作者非凡的框架意识和杰出的叙事才能;与此同时,“豆棚”连缀了三个叙述层,这使它有别于其他中国古代小说,独树一帜,甚至显露出现代小说的端倪。在更深层意义上,作者借助“豆棚”叙述十二则故事,也隐含着为自己编史的意图,这使读者在品读文本之时,能够窥见明清易代之际的知识分子的矛盾心态。Beans Canopy,a novel written by Aina Jushi of the Qing Dynasty,contains an important image,i.e.,the image of Bean Shed.As a natural image,the growth characteristics of Bean Shed in spring and autumn correspond to the change of time and space,reflecting the concept and consciousness of time and space of the ancient Chinese people.As far as narrative is concerned,Bean Shed is a clear line running through the novel.By connecting the text,the author demonstrates his extraordinary frame consciousness and outstanding narrative ability.Meanwhile,Bean Shed is connected with three narrative layers,which makes it different from other ancient Chinese novels,and even shows the surface of modern novels.In a deeper sense,the author narrated 12 stories with the help of Bean Shed,implying the intention of compiling a history for himself,so that the reader could see the contradictory mentality of the intellectuals during the period of the Ming and Qing Dynasties when reading the text.

关 键 词：《豆棚闲话》 意象 叙事意义 时空 艾衲居士 

分 类 号：I206.7[文学—中国文学]