论唐寅《落花诗》的自我形象——兼与《离骚》落花意象中自我形象比较  

Tang Yin’s Self-image of Fallen Flowers Poetry

作　　者：申东城 黄锟炼 SHEN Dongocheng;HUANG Kunlian(School of Literature and Communication,Huizhou University;Freelance Writer,Huizhou 516007,Guangdong,China)

机构地区：[1]惠州学院文学与传媒学院 [2]广东惠州516007

出　　处：《惠州学院学报》2021年第1期50-57,共8页Journal of Huizhou University

基　　金：惠州学院科研创新团队项目(hzuxl201607)。

摘　　要：唐寅《落花诗》组诗中,诗人或直接出现,或托寓薄命佳人,塑造出一个惜春纵酒、感伤求索的失意封建士人形象。文章分析了《落花诗》中诗人的自我形象及其表现,归纳了诗人形象的塑造特色,并对唐寅《落花诗》与屈原《离骚》落花意象进行文本比较,分析了他们作品落花意象中自我形象的差异及成因。In the poems of Tang Yin’s Fallen Flowers Poetry,the poet either appears directly with his self-image or stayed in the faerie beauty,thus creating a frustrated intellectual in the Chinese feudal time. The paper analyzes the poet’s self-image and its performance in Fallen Flowers Poetry,summarizes the characteristics of the poet’s image. Based on the textual analysis of Tang Yin’s Fallen Flowers Poetry and Qu Yuan’s Lisao,the authors conduct a comparative study of the two poems with the focus on the self-image differences between the two poems and the practical reasons for the differences.

关 键 词：唐寅 《落花诗》 自我形象 《离骚》 

分 类 号：I206.2[文学—中国文学] I206.4