公共领域对话语空间及舆论方向的影响与作用——以大光明电影院事件为例  

The Influence and Function from Public Dialogue Sphere and the Direction of Public Opinion——The Reflection by Welcome Danger in Shanghai Da Guangming Cinema

作　　者：易丹[1] 彭瑾[1] YI Dan;PENG Jin(College of Literature and Journalism,Sichuan University,Chengdu 610064,China)

机构地区：[1]四川大学文学与新闻学院,成都610064

出　　处：《理论探讨》2021年第3期171-176,共6页Theoretical Investigation

基　　金：国家社会科学基金项目“‘互联网+’影响下的中国传统节日习俗传承变迁与变化转型研究”(19XSH015)阶段性成果。

摘　　要：1930年代,上海大光明电影院"不怕死"事件,客观上促成了国民政府、民族资本、左翼知识分子、中共地下党等形成基于民族主义认同的一致战线。公共物理空间聚集所激发的话语空间鼓噪,是现代都市才可能出现的群体性现象,是现代性在公共空间的凸显。电影院作为主体间交往的空间和场域,使上海的现代公众意识得以释放,公共空间延伸至媒体空间的公共辩论,形成公共舆论,促成了相关制度的形成和实施,进而导致政策和法律的长期推行,最终塑形了上海的文化公共领域。在今天的互联网碎片信息网络中,如何平衡公共领域,正向引导、树立舆论环境,促成社会和谐发展成为新的社会课题。In the 1930s, the event aroused by Welcome Danger in Shanghai Da Guangming Cinema objectively facilitated the formation of a united front based on national identity among the national government, national capital, left-wing intellectuals and the underground CPC. Discourse space noise,inspired by public physical spatial concentration, is a mass phenomenon that can only appears in modern cities, as well as the highlight of modernity in public space. The cinema, as the space and field of interaction between themes, enables the release of modern public consciousness in Shanghai. The public space’s extension to the public debate in the media space helped the formation of public opinion, contributing to the formation and implementation of relevant systems and further leading to the long-term implementation of policies and laws. Finally, the cultural public sphere in Shanghai was shaped. Nowadays, new social governance topics in the network of Internet fragmentation information have come into being, such as, how to balance the public sphere, how to positively guide and establish the public opinion environment so that a harmonious developing society could be promoted.

关 键 词：公共领域 公共话语空间 公共舆论 影院空间 

分 类 号：J90-02[艺术—电影电视艺术]