历代诗词中的“岭南梅”意象辨析  

Image of Plum Blossom in the South of the Five Ridges in Classical Poetry

作　　者：吴咏絮 WU Yongxu(College of Chinese Language and Literature,Nankai University,Tianjing 30071,Tanjing,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《惠州学院学报》2021年第2期72-78,共7页Journal of Huizhou University

摘　　要：历代诗词中的岭南梅意象系列,始终受到中原咏梅文学与岭南地理、文化和文学的交互影响。始于初唐宋之问度大庾岭三诗的“庾岭梅”和北宋后期苏轼咏松风亭梅花三诗的“罗浮梅”,是历代诗词中岭南梅的代表意象。岭南本土诗人笔下的岭南梅意象,既有对中原咏梅文学的接受,又有从不同视角对既有意象内涵翻新的尝试,是岭南本土文学形成、发展与成熟期的重要表现。The image of plum blossom in the South of the Five Ridges in classical poetry is influenced by the great affection for plum blossom literary tradition in Central China,the geography,the cultural atmosphere and literature of South of the Five Ridges.Its representative images includes plum blossom in Yu Ling that first appeared in Song Zhiwen’s poem in the early Tang Dynasty and in Luo Fu Mountain that created by Su Shi in the late Northern Song Dynasty.Besides,the image of plum blossom in South of the Five Ridges with the local poets’pen,both influenced by north poets and remade from different perspectives,is one of the important superficial characteristics of period from formation to maturity of the local literature.

关 键 词：诗词 岭南梅 庾岭梅 罗浮梅 本土诗人 

分 类 号：I207.2[文学—中国文学]