视知觉理论视阈下的《星月夜》研究  

A Study of The Starry Night from a Perspective of Vision-sensory Theory

作　　者：张程程 汪代明[1] ZHANG Chengcheng;WANG Daiming(School of Arts, Southwest University for Nationalities, Chengdu, Sichuan, 610200, China)

机构地区：[1]西南民族大学艺术学院,四川成都610200

出　　处：《内江师范学院学报》2021年第5期119-123,共5页Journal of Neijiang Normal University

基　　金：国家社科基金“藏族史诗文化传承中的格萨尔唐卡研究”(17BH153)。

摘　　要：人们往往习惯于从精神层面去解读《星月夜》的意象和内涵,这些解读充满了主观色彩,最终由于缺乏客观证据而陷入无休止的争论。本文以阿恩海姆的视知觉理论为指导,从绘画本体出发对《星月夜》进行剖析,探讨梵高对画面的精心安排和高超的绘画技巧,以及画面对观众产生视知觉刺激的过程,力证其作品本体的艺术价值。People get used to interpreting the image and connotation of The Starry Night from the spiritual level.However,such interpretation is full of subjective color and eventually leads to the endless controversy due to its lack of objective evidence.With the Arnheim’s vision-sensory theory as guidance,this paper has made analysis on The Starry Night and probed into the Van Gogh’s careful arrangement of the picture frame,his great painting techniques and the pictures’vision-sensory stimulation on audience in an attempt to verify the artistic value of the work.

关 键 词：视知觉 阿恩海姆 星月夜 梵高 

分 类 号：J205[艺术—美术]