朱光潜意象理论及其对当代美学的影响  

Zhu Guangqian’s Image Theory and Its Influence on Contemporary Aesthetics

作　　者：周奕希 ZHOU Yixi(College of Literature and Journalism,Hunan First Normal University,Changsha,Hunan 410205)

机构地区：[1]湖南第一师范学院文学与新闻传播学院,湖南长沙410205

出　　处：《中国文学研究》2021年第2期25-32,共8页Research of Chinese Literature

基　　金：国家社会科学艺术类重大项目“中华美学与艺术精神的理论与实践研究”(16ZD02)。

摘　　要：探索美感与美的关系,解释美与艺术的本体意义,始终是朱光潜意象理论的核心内容。20世纪50年代之前,朱光潜以克罗齐学说为基底,以美感心理与经验生成为主要研究方法,在有机整体观与超越的人生观的基础上,提出"心物同一"的意象理论,初步讨论意象与理想美的关系。50年代以后,他吸收马克思主义意识形态论和劳动生产实践观,提出"主客统一"的意象理论,在保持与前期观念一致的同时,建立起意象与美的深层联系,最终实现对艺术与审美的本体阐释。朱光潜意象理论的思路与方法影响着当代美学从更多的研究渠道"接着讲"。It is always the core of Zhu Guangqian’s Image Theory to explore the relationship between beauty and aesthetic feeling,and to explain the ontological meaning of beauty and art.Before the 1950 s,underpinned by the Croce’s theory,ZhuGuangqian took aesthetic psychology and aesthetic experience as the main research methods. On the basis of organic holistic view and transcendental outlook on life,he put forward the image theory of"mind-thing identity"and preliminarily discussed the relationship between image and ideal beauty. After the 1950 s,he absorbed Marxist ideology and the practical view of labor production,and put forward the image theory of"the unity of subject and object". While keeping consistent with the previous concept,he established the deep connection between image and beauty,and finally realized the ontologicalinterpretation of art and aesthetics. The thought and method of Zhu Guangqian’s Image Theory have influenced contemporary aesthetics from more research channels.

关 键 词：朱光潜 意象 物的形象 心物同一 主客统一 

分 类 号：I01[文学—文学理论]