近代东亚文学史上的拜伦时空:以苏曼殊和北村透谷为例  

Byronic Moments in Early Modern East Asian Literature:On Two Texts by Su Man-shu and Kitamura Tokōku

作　　者：顾瑶[1] GU Yao(Editorial Office of Fudan Journal of the Humanities and Social Sciences,Fudan University,Shanghai 200433)

机构地区：[1]复旦大学英文学报,上海200433

出　　处：《中国文学研究》2021年第2期186-193,共8页Research of Chinese Literature

基　　金：复旦大学亚洲研究中心资助项目“东亚近代文学中的拜伦式流布”(SDH6210001)。

摘　　要：本文聚焦北村透谷和苏曼殊两部体现拜伦影响的作品——《蓬莱曲》和《断鸿零雁记》,由外及内地解读分析两部作品发生的历史语境和文体特征,提炼出贵族气质这一文化概念。本文通过梳理贵族气质在拜伦、北村透谷、苏曼殊三位作家和作品中表现出的具体而微的时空脉络,认为这三位作者虽然分处于不同的时空境遇,但都处于现代性压迫下,贵族气质逐渐弥散的过程中。他们对于诗歌的处理不仅是对诗歌传统的继承,而且是其贵族气质最佳的文化匹配。By focusing on Tokōku’s Hōrai Kyoku and Su Man-shu’s Lone Swan,the article seeks to examine how the manifestation of Byronic influence in two texts has been shaped by historical contexts and stylistic features so as to distill the concept of nobility. The article attempts to analyze how the inherent features of nobility have found their way into the life of three writers and their works. The article concludes that,despite their different historical contexts,three writers all live under the pressure of modernity and the gradual diffusion of nobility temperament. Their poetic creation means not only the inheritance of poetic tradition but also the best cultural match of their nobility temperament.

关 键 词：北村透谷 苏曼殊 拜伦式作品 贵族气质 

分 类 号：I0[文学—文学理论]