中国传统建筑与篆刻艺术的审美共通性  

Aesthetic Commonality of Chinese Traditional Architecture and Seal Cutting Art

作　　者：汤朝晖[1,2] 徐慧丹 TANG Chao-hui;XU Hui-dan(School of Architecture,South China University of Technology,Guangzhou 510641,Guangdong,China;Architectural Design&Research Institute of SCUT Co.,Ltd.,Guangzhou 510641,Guangdong,China)

机构地区：[1]华南理工大学建筑学院,广东广州510641 [2]华南理工大学建筑设计研究院有限公司,广东广州510641

出　　处：《华南理工大学学报（社会科学版）》2021年第3期117-124,共8页Journal of South China University of Technology(Social Science Edition)

摘　　要：中国传统艺术发展具有综合性与审美共通性。建筑是技术与艺术的交汇产物,而篆刻是书法(主要是篆书)和镌刻相结合的工艺美术,二者同属于中国传统艺术的不同门类。通过分析二者共同的文化根源,归纳出二者审美共通性背后贯穿中国哲学与中国传统文化始终的“天人合一”的哲学思想,并从形似与神似角度将篆刻艺术的篆法、章法、刀法和金石选材分别与中国传统建筑的营造形式、空间布局、实践推敲和选材物料进行对比分析。最后,在对中国传统建筑与篆刻艺术审美共通性总结的基础上,探讨中国传统艺术之间审美共通性普遍存在的必然性,并对中国新生艺术具备审美共通性的普遍存在作出了展望,为中国传统艺术与新生艺术的未来发展与美学研究提供更宽广的时空视野。The development of Chinese traditional art has comprehensiveness and aesthetic commonality.Architecture is the product of the intersection of technology and art,and seal cutting is a combination of calligraphy(mainly seal script)and seal art,both of which belong to different categories of traditional Chinese art.This article explores the aesthetic commonality between traditional Chinese architecture and seal cutting.Firstly,it analyzes the common cultural roots of the two,and summarizes the philosophy of“the harmony between man and nature”that runs through Chinese philosophy and traditional Chinese culture behind their aesthetic commonality.Secondly,based on four horizontal comparison indicators,the four aspects of the art of carving—the method,the knife,the selection of stones,and the four aspects of the traditional Chinese building—construction form,spatial layout,practical consideration and selection of materials,are compared and discussed from the perspectives of form similarities and spirit similarities respectively.Finally,based on the summary of the aesthetic commonality between traditional Chinese architecture and seal cutting art,the inevitability of aesthetic commonality between traditional Chinese arts is discussed,and the general existence of aesthetic commonality between Chinese new arts is prospected.And the paper provides the future development and aesthetic research of Chinese traditional art and new art with a wider perspective of time and space.

关 键 词：建筑美学 传统建筑 篆刻艺术 审美共通性 

分 类 号：J59[艺术—艺术设计]