从私奔叙事的改写看“三言”作者的性别立场--以《张舜美灯宵得丽女》为例  

Feng Menglong’s Gender Position Demonstrated in His Rewriting Elopement Story--Based on the Study“Zhang Shunmei Finds His Love on Lantern Festival”

作　　者：袁田野 YUAN Tian-ye(Faculty of Humanities and Social Science,Beijing Language and Culture University,Beijing 100083,China)

机构地区：[1]北京语言大学人文社会科学学部,北京100083

出　　处：《太原师范学院学报（社会科学版）》2021年第2期21-26,共6页Journal of Taiyuan Normal University:Social Science Edition

摘　　要：学界普遍认为“三言”的情本思想超越了礼制,但通过对《张舜美灯宵得丽女》所据本事的各个版本进行比勘,发现“三言”作者在收录《张舜美灯宵得丽女》这一篇故事时,对情节和局部文字改动颇多,通过删削情节事件、改写诗歌、弱化人物行为动因等方式改变了叙述的话语结构,削弱了女主人公的主体意识,增强了父权话语对女性的束缚,反映了作者的男权中心立场以及对礼制的维护。It’s generally accepted that Feng Menglong,the author of The Stories from a Ming Collection,supports true love over feudal etiquette.However,a contrast of four versions of the story“Zhang Shunmei Finds His Love on Lantern Festival”finds that Feng Menglong deleted and rewrote some plots,which changed the structure of discourse,weakened the subject motives of female characters and strengthened the tie from patriarchal discourse.All of these demonstrated the author’s patriarchy-centered position and his maintenance of feudal etiquette.

关 键 词：三言 性别立场 文本比勘 主体 情本 背弃 

分 类 号：I206.2[文学—中国文学]