生态美学视阈下的宋玉赋研究  

Research on SONG Yu’s literary works from the perspective of ecological aesthetics

作　　者：吴广平[1] 邓康丽 WU Guangping;DENG Kangli(Research Base of Ancient Chinese Literature and Social Culture,Hunan University of Science and Technology,Xiangtan 411201,China;College of Humanities and Communication,Hunan University of Science and Technology,Xiangtan 411201,China)

机构地区：[1]湖南科技大学中国古代文学与社会历史文化研究基地,湖南湘潭411201 [2]湖南科技大学人文学院,湖南湘潭411201

出　　处：《周口师范学院学报》2021年第3期17-21,共5页Journal of Zhoukou Normal University

基　　金：2020年湖南省研究生科研创新项目“原始歌谣的生态美学批评”(CX20201011);教育部人文社科规划基金项目“先唐辞赋与地志关系研究”(19YJA751031)。

摘　　要：宋玉赋蕴含着“天人合一”的古典生态智慧,具有丰富的生态审美意蕴。对人与自然的关系的审美观照,反映了宋玉朴素的生态审美智慧;对符合人的生态本性的“性”的描写,展现出诗人对人性之本的肯定和赞颂;对自然的动人描绘,充分表现出自然独立而独特的审美属性。这些生态审美意蕴对当今生态美学的建设和发展具有重要的参考借鉴意义。SONG Yu’s literary works contains the classical ecological wisdom of“the harmony between man and nature”,and is rich in ecological aesthetics.The aesthetic view of the relationship between man and nature reflects SONG Yu’s simple ecological aesthetic wisdom;the description of“sex”that conforms to the ecological nature of humans shows the poet’s affirmation and praise of the foundation of human nature;the moving depiction of nature,shows the natural independent and unique aesthetic attributes.These ecological aesthetic connotations provide important references for the construction and development of contemporary ecological aesthetics.

关 键 词：宋玉赋 生态美学 天人合一 生态审美意蕴 

分 类 号：I207.2[文学—中国文学]