从舞台冲突到社会心理:悲剧审美的文化阐释  

From Stage Conflict to Social Psychology:A Cultural Interpretation of Tragic Aesthetics

作　　者：王杰[1] 连晨炜 WANG Jie;LIAN Chen-wei(College of Media and International Culture,Zhejiang University,Hangzhou 310058,China;School of Humanism,Shanghai Jiao Tong University,Shanghai 200240,China)

机构地区：[1]浙江大学传媒与国际文化学院,浙江杭州310058 [2]上海交通大学人文学院,上海200240

出　　处：《南通大学学报（社会科学版）》2021年第3期18-25,共8页Journal of Nantong University:Social Sciences Edition

基　　金：国家社会科学基金重大项目“当代美学的基本问题及批评形态研究”(15ZDB023)。

摘　　要：作为一种经典的文学样式,悲剧已经在人类历史中发展了上千年并在此过程中形成了独特的审美内涵。传统的悲剧作品在审美接受上强调通过描写主人公的不幸凸显对社会的抗争,以此完成对崇高精神的升华,让大众获得心灵的净化。但是在现代社会,由于物质主义的盛行与审美研究自身所遭遇到的困境,悲剧不再能给人以直接的崇高式精神力量而面临衰落的危险。为此学界需要借助于马克思主义的人本思想重建崇高精神,以此恢复悲剧审美的内核与价值取向,完成它在当代社会文化中的精神复归。As a classic literary genre,tragedy has been evolving for a thousand years in human history,forming its unique aesthetic connotations.Traditional tragedies stress on depicting the misfortunes of the heroes to foreground their struggles against the society,realizing the sublimation of noble qualities and the spiritual purification of the public.However,in modern society,due to the prevalence of materialism and the dilemma of aesthetic studies,tragedy can no longer give people the sublime morale and is now facing the danger of declining.Therefore,the academic circle should rebuild the sublime morale by means of Marxist humanism,in order to restore the aesthetic core and values of the tragedies and realize its spiritual reversion in modern social culture.

关 键 词：悲剧审美 崇高 悲剧心理 文化阐释 悲剧人文主义 

分 类 号：I01[文学—文学理论]