后人文语境下美国科幻小说对“人”的书写——以“沙丘三部曲”为例  

The Writing of“Human”in American Science Fiction in the Post-Humanistic Context:Taking Dune Trilogy as an Example

作　　者：魏悦 何敏[1] WEI Yue;HE Min(Foreign Language College, University of Electronic Science and Technology of China, Chengdu Sichuan 611731, China)

机构地区：[1]电子科技大学外国语学院,成都611731

出　　处：《成都理工大学学报（社会科学版）》2021年第3期66-73,共8页Journal of Chengdu University of Technology:Social Sciences

摘　　要：科幻叙事集科学元素和幻想成分于一身,与后人类想象紧密结合。从美国科幻文学学术史出发,回溯美国科幻小说对“人”的审视和书写,可以发现其从纯粹地维护人类主体性转向反思批判人类中心主义的创作流向。以弗兰克·赫伯特(Frank Herbert)的“沙丘三部曲”为例,解读作品对人与科技、人与自然、人与生物三种关系的后人类构想,从而探索美国科幻小说有关“人”的书写怎样预示了超前的后人类境况,以及这种境况所带来的对于后人类社会中伦理问题的思考。Science fiction narrative combines scientific elements and fantasy elements,and is closely integrated with post-human imagination.Starting from the academic history of American science fiction,this paper traces the examination and depiction of“human”in American science fiction,and points out its creative direction from purely safeguarding human subjectivity to reflecting and criticizing anthropocentrism.With Frank Herbert’s Dune Trilogy as an example,this paper interprets the work’s post-human conception of the relationships between man and technology,man and nature,and man and animals.Exploring the depiction of“human”in American science fiction is of certain significance to the perfection of ethical problems in the post-human society and the construction of a harmonious society.

关 键 词：弗兰克·赫伯特 沙丘三部曲 人类中心主义 后人类 

分 类 号：I712.074[文学—其他各国文学]