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作 者: 汪芸(译)[2] Marion McEnroy-Higgins;Wang Yun(Institute of Technology;China Academy of Art)
机构地区:[1]戈尔韦-梅奥理工学院 [2]中国美术学院
出 处:《装饰》2021年第2期66-77,共12页
摘 要:(接上期)可持续生活美国生物技术设计师迈克尔·雷诺兹的《地球飞船》以及荷兰干预主义画家汉斯·卡利沃达创作的《壳中世界》是两个长期存在的可持续生存实践者的案例。两人均为非传统的创意人士,都融合了可再生能源和技术以实现自给自足的生活,并且都颂扬合作与知识分享。尽管雷诺兹有时会因使用轮胎等材料而受到建筑纯粹主义者的批评,但他仍在为人们提供独立、低成本的计划,使他们能够自主生活,否则他们可能无力负担自己建造或购买的传统房屋的费用。(Continued from 2021.1)Sustainable Living Two long-established practitioners of sustainable survival are exemplified in the Earth Ships of American Biotecture designer,Michael Reynolds and the World in a Shell(WiaS)by interventionist Netherlands based artist,Hans Kalliwoda.Both are unorthodox creatives,both integrate renewable energy and technology to empower self-sufficient living,and both celebrate collaboration and knowledge exchange.Although Reynolds is criticised at times by architectural purists for his use of materials including tyres,he is providing unique,lower cost plans for people to live autonomously,who may not otherwise be able to afford to build or buy a conventional home of their own.Reynolds"Earth Ships are passive solar powered houses addressing the six principles that humans need for harmonious life:"food,energy,clean water,shelter,waste management,and sewage treatment."
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