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作 者:詹秀丽[1,2] 戴向东 胡亚静[1] 李敏秀[1] Zhan Xiuli;Dai Xiangdong;Hu Yajing;Li Minxiu
机构地区:[1]中南林业科技大学,湖南长沙410004 [2]金华职业技术学院,浙江金华321000
出 处:《家具与室内装饰》2021年第5期5-9,共5页Furniture & Interior Design
基 金:浙江省教育厅科研项目“传统工艺的现代转型—传统木工艺的日用品设计应用研究”(Y202043247);金华市2021年度教育科学规划研究课题(JB2021043);国家社科基金艺术学项目(16BG123)。
摘 要:绿色设计是实现可持续发展的重要途径,减量化在绿色设计的4R原则中处于首要位置,对家具进行减量化设计研究,是实现家具产业绿色化与可持续发展的重要途径之一。本文重点探析明式家具中有对现代家具进行减量化设计有启示作用的设计思维及表现形式。通过列举、对比、实例分析的方法,先从明式家具的设计理念和设计语言入手,通过实例探讨了明式家具的造型减量化、材料减量化、结构与工艺减量化等方面蕴涵的减量化设计思维。明式家具是以其独具文人审美的简洁设计理念和匠人生产制造中展现的减量化意识,表现出与现代家具绿色化设计理念的异曲同工和共鸣,同时也为研究现代家具的减量化设计提供了诸多思路。Green design is key to achieve sustainable development.As the primary link in the 4R principle of green design,reduction design of furniture is an important way to achieve green and sustainable development of the furniture industry.This paper mainly explores how some design thinking and expressions of Ming-style furniture affect the reduction design thinking of modern furniture.Through methods like enumeration,comparison,and case analysis,this paper first starts with the design concept and design language of Ming-style furniture to explore the implications of Ming-style furniture in terms of model reduction,material reduction,structure,and process reduction.It is concluded that the reduction design thinking is manifested in Ming-style furniture through its simple design with unique literati aesthetics and the consciousness of the craftsmen during the manufacturing.It shows the similarities and resonance with the green design concept of modern furniture.Also,it provides ideas for studying the reduction design of modern furniture.
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