中国苏式彩画与西欧巴洛克绘画“景框”比较研究  

A Comparative Study about“Frame”between Chinese Suzhou-Style Color Painting and Western European Baroque Painting

作　　者：韩风 李沙 Han Feng;Li Sha

机构地区：[1]北京建筑大学建筑与城市规划学院,北京100044

出　　处：《家具与室内装饰》2021年第5期123-127,共5页Furniture & Interior Design

基　　金：北京建筑大学教育科学研究项目(Y1823);清华大学艺术与科学研究中心柒牌非物质文化遗产研究与保护基金项目(201806);北京市高等教育学会2021年度立项课题(YB202133);北京建筑大学教育科学研究项目(ZF15047);北京建筑大学实验实践类精品课程项目(JPSY201902)。

摘　　要：作为建筑装饰绘画边缘的“景框”,在整个建筑空间中扮演着重要的角色。中国苏式彩画与西欧巴洛克绘画“景框”在功能和文化寓意方面存在着一定的相似性,同时,在景框与建筑结构的形态关联性、平面化与立体化处理手法、透视观念和装饰纹样等诸多方面又体现出巨大的差异性。本文从“景框”视角出发,通过对中国苏式彩画与西欧巴洛克绘画中的景框进行分析与比较,探寻其异同性背后蕴含的文化内涵与审美特征,这将有助于我们更好地理解中西方建筑装饰艺术的内涵。As the edge of architectural decorative painting,the“frame”plays an important role in the whole architectural space.There are certain similarities between Chinese Suzhou-style paintings and Western European Baroque paintings in terms of function and cultural symbolism,but at the same time,there are great differences in many aspects such as the morphological correlation between the frame and the architectural structure,the treatment of flatness and three-dimensionality,the concept of perspective and decorative patterns.This essay analyzes and compares the frames in Chinese Suzhou-style paintings and Western European Baroque paintings from the perspective of“frame”to explore the cultural connotations and aesthetic characteristics behind their similarities and differences,which will help us better understand the connotations of Chinese and Western architectural decorative arts.

关 键 词：清代官式建筑彩画 苏式彩画 古建彩画 巴洛克天顶画 景框 

分 类 号：TS664.01[轻工技术与工程]