传统汉服中的美学研究  

Aesthetic research in traditional Hanfu

作　　者：刘媛[1] Liu Yuan(Hunan Arts and Crafts Vocational College,Yiyang 413000,China)

机构地区：[1]湖南工艺美术职业学院,湖南益阳413000

出　　处：《纺织报告》2021年第5期125-126,共2页

摘　　要：从古至今,人们在寄托文化情感时,都会使用象征事物。在古代,人们崇尚以"礼"为核心的思想,这也是思想发展的精髓。古人在服饰的审美与设计中积极传递尊卑有序的观点,也借此区分人的社会地位。这不仅是对服饰的规范,也让社会发展有规律可循。传统的汉服审美表现在各个方面,设计者在探讨其原理时,不应该局限于色彩的运用,还应关注服装样式与花纹。Since ancient times,people have always used symbolic things to express their cultural feelings.In ancient times,people advocated the idea of“etiquette”as the core,which is also the essence of ideological development.The ancients actively conveyed the idea of order of superiority and inferiority in the aesthetic and design of clothing,and also used it to distinguish people’s social status.This is not only the standard of clothing,but also the law of social development.The traditional aesthetic performance of Hanfu is in all aspects.When discussing its principle,designers should not be limited to the use of color,but also pay attention to clothing style and pattern.

关 键 词：传统汉服 美学研究 服装设计 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]