论“崇高”精神在《史记》中的体现——以项羽、屈原、商鞅为例  

Embodiment of the“Sublime”Spirit in A Record of History——A Case Study on Xiang Yu,Qu Yuan and Shang Yiang

作　　者：王菲[1] WANG Fei(School of Literature and Journalism,Yan’an University, Yan’ an 716000, Shaanxi)

机构地区：[1]延安大学文学与新闻传播学院,陕西延安716000

出　　处：《陇东学院学报》2021年第3期49-54,共6页Journal of Longdong University

摘　　要：“崇高”作为西方美学史上的一个专有名词,其概念范畴历来被众多美学大家所讨论,不管是朗吉弩斯、博克、康德抑或者是席勒,都对“崇高”做出了系统的理论阐释。虽然在理论体系中,中国美学词典缺少对“崇高”一词的解释,但“崇高”所包含的意义却很好地印证在了中国文学史上。不论是从成书,或是从其人物群像的刻画(以项羽、屈原和商鞅为例)来看,《史记》都很好地诠释着“崇高”精神,这种精神历久弥新,在今天这个时代也仍不过时。“Sublime”is a proper noun in the history of western aesthetics and its conceptual category has always been interpreted by many aesthetics such as Langes,Bourke,Kant and Schiller.Although there is no word“Sublime”in the Chinese aesthetic dictionary in the theoretical system,the meaning contained by the word“Sublime”is well confirmed in the history of literature.Whether from the book,or from the portraits of the characters(taking the example of Xiang Yu,Qu Yuan and Shang Yiang),A Record of History is a good interpretation of the“Sublime”spirit,which is time-honored and still not out of date in this era.

关 键 词：“崇高” 《史记》 项羽 屈原 商鞅 

分 类 号：I206.2[文学—中国文学]