现代城市空间中的东北民间艺术  

Northeast Folk Art in Modern Urban Space

作　　者：李玉琴[1] LI Yu-qin(School of Broadcasting,Film and Television,Liaoning University,Shenyang 110015,China)

机构地区：[1]辽宁大学广播影视学院,辽宁沈阳110015

出　　处：《东北师大学报（哲学社会科学版）》2021年第4期155-161,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：辽宁省社会科学规划基金项目(LIOBZW011)。

摘　　要：民间艺术正经历历史发展的关键时期,乡土艺术与城市艺术的融合、传统演出与传媒播发的互构、艺人传承与大众参与的新势,都为民间艺术展现了前所未有的时空场景。而越是这样的新变时期,越需要对民间艺术进行扎实的深入研究,这是弘扬中国文化的重要的时代课题。以东北民间艺术为研究要点,勾勒其智能时代融入现代城市空间的演进脉络,揭示其与市民文化的动态互构与持续嬗变的情形,思索其在现代城市时空语境中所具有的转化活力,其目的在于探究东北民间艺术融入现代城市空间的现实状况与未来发展等问题。Folk art is experiencing a critical period of historical development,and the fusion of rural art and urban art,the mutual construction of traditional performances and media broadcasts,and the new trend of artist inheritance and public participation,all show an unprecedented spatiotemporal scene for folk art.The more such a period of change,the more solid and in-depth research is needed on folk art,and this is an important topic of the times to promote Chinese culture.This article takes Northeast folk art as the main research point,outlines its evolutionary context of integrating into modern urban space in the intelligent era,reveals its dynamic interaction and continuous evolution with citizen culture,and ponders its transformational vitality in the context of modern urban time and space,and the purpose is to explore the possibility,actual situation,and future development of the integration of Northeast folk art into modern urban space.

关 键 词：东北民间艺术 城市空间 市民文化 互构 转化 

分 类 号：J193[艺术—艺术理论]