《占有》:一部作为文化策略的花园罗曼司  

Possession: The Garden Romance as a Cultural Strategy

作　　者：金佳 Jin Jia(School of Foreign Languages,Hangzhou Normal University,Hangzhou,Zhejiang Province,China)

机构地区：[1]杭州师范大学外国语学院

出　　处：《外国文学》2021年第3期161-170,共10页Foreign Literature

基　　金：浙江省哲学社会科学重点研究基地杭州师范大学文艺批评研究院课题“A.S.拜厄特作品中的花园隐喻与共同体形塑”(20JDZD046)。

摘　　要：学界已有人关注拜厄特小说《占有》中的罗曼司(romance)体裁,但是常常过度强调罗曼司的虚构因素,或是简单地将romance理解为浪漫的爱情传奇,而忽略其对现实的文化建构作用,尤其是花园意象对于这部罗曼司所发挥的重要功能。实际上,小说中的花园既是追寻之旅的重要空间,也是追寻的对象。从穿越被种种欲望占有的堕落花园,到最终找到重获新生的英格兰花园,探寻理想的花园构成了这部罗曼司的"圣杯"隐喻。因此,《占有》作为一部花园罗曼司,不仅成为作者重构历史的一种重要文学样式,而且还是重塑英格兰民族美好、和谐秩序的一种文化策略。The "romance" in Byatt’s Possession has already been discussed by various critics, but often as a fictional story or simply as a romantic love adventure, with its realistic function in cultural construction ignored. What is most deplorable in previous scholars’ works, above all, is the failure to notice the image of garden under Byatt’s pen. In fact, her gardens make both the major space for the adventures and the object of quests: they form the "Holy Grail" metaphor in the romance, which is of a journey through fallen gardens possessed by various desires to the ultimate discovery of a renewed Garden of England. Therefore, the romance of Possession is not only a genre by which the author reconstructs history, but also a cultural strategy to restore order for the English nation.

关 键 词：A.S.拜厄特 《占有》 花园 罗曼司 追寻 穿越 文化 秩序 

分 类 号：I561[文学—其他各国文学]