中国现代诗剧的另类进路——延安时期“秧歌剧”文本文体研究  

An Alternative Approach to Modern Chinese Poetry Drama——Study on the Style of Yangko Opera in Yan’an Period

作　　者：张宇 Zhang Yu(School of Humanities,Jiangnan University,Jiangsu 214122,China)

机构地区：[1]江南大学人文学院,江苏无锡214122

出　　处：《齐鲁师范学院学报》2021年第3期119-125,共7页Journal of Qilu Normal University

摘　　要：延安时期涌现出大量的“秧歌剧”,不仅是文艺大众化的突出成果,更是中国现代诗剧“戏剧化的诗”的重要组成。“秧歌剧”文本具有独特的文体范式,具体表现为文白杂合的语言,诗性剧性杂糅的体裁,以及民族化的文体风格。通过对延安时期“秧歌剧”的深入剖析,立体揭示“秧歌剧”文本的文体范式,重新标定其文学价值和文学史价值。In Yan’an period,a large number of"Yangko Opera"emerged,which not only showed the outstanding achievement of the popularized literature and art,but also was an important component of"dramatic poetry"in modern Chinese poetry drama.The text of Yangko opera possessed a unique stylistic paradigm,which was embodied in the hybrid language of written language and colloquialism,the hybrid genre of poetry and drama,and the nationalized stylistic style.Through the in-depth analysis of"Yangko Opera"in Yan’an period,this paper reveals the stylistic paradigm of the text of"Yangko Opera"in three dimensions,and demonstrates its literary value and literary history value.

关 键 词：延安时期 诗剧 秧歌剧 文体 

分 类 号：I207.65[文学—中国文学]