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作 者:刘琼春 吴耀 王思锴 Liu Qiongchun;Wu Yao;Wang Sikai(School of Fine Arts and Design,Hainan University,Haikou Hainan 570228;School of Design,Jilin University of Arts,Changchun Jilin 130012)
机构地区:[1]海南大学美术与设计学院,海南海口570228 [2]吉林艺术学院设计学院,吉林长春130012
出 处:《流行色》2021年第4期65-66,共2页Fashion Color
摘 要:剪贴画作为三秦文化的剪纸艺术典型代表之一,是中国民间艺术家库淑兰独自摸索出的一种全新的剪纸艺术形式,其丰富的色彩和多样的造型极大扩充了中国剪纸艺术的边界和可能性,使剪纸艺术换发了又一次生机.本文对库淑兰剪贴画的色彩进行了多角度分析,并从社会性与个性层面探析其创作理念及成因,对丰富剪纸艺术色彩理念、挖掘其精神内涵有着一定的积极意义.Clip painting,as one of the typical representatives of the paper-cut art of the Sanqin culture,is a new paper-cut art form explored by the Chinese folk artist Kushulan alone.Its rich colors and various shapes greatly expand the boundary and possibility of Chinese paper-cut art,which makes the paper-cut art renewed vitality again.This paper analyzes the color of Kushulan’s clippaintings from multiple angles,and probes into their creative ideas and causes from the social and individual levels,which has a certain positive significance for enriching the color idea of paper-cut art and exploring its spiritual connotation.
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