互文式独白:庞德《诗章》与布朗宁的“独白体”  

Intertextual Monologue: Ezra Pound’s The Cantos andRobert Browning’s Dramatic Monologue

作　　者：郭英杰[1] GUO Ying-jie(School of International Studies,Shaanxi Normal University,Xi’an Shaanxi 710062)

机构地区：[1]陕西师范大学外国语学院,陕西西安710062

出　　处：《江南大学学报（人文社会科学版）》2021年第4期108-116,共9页Journal of Jiangnan University：Humanities & Social Sciences Edition

基　　金：陕西师范大学中央高校基本科研业务费专项资金项目一般项目“庞德《诗章》的现代主义风格研究”(17SZYB12);国家留基委资助项目“2019年青年骨干教师出国研修项目”(201906875029)。

摘　　要：庞德不仅是一位敢于在欧美诗坛标新立异的意象派诗人,他也是一位能够在20世纪世界诗坛开拓创新的先锋派诗人和现代派作家。庞德通过史诗代表作《诗章》充分彰显了他在诗歌创作方面的杰出才华。《诗章》具有鲜明的互文性特征,也具有文本对话和狂欢化的属性。在《诗章》中,庞德通过借鉴布朗宁的“独白体”创作方式,一方面呈现“独白体”与《诗章》文本风格的某种契合,另一方面借助多声部独白和蒙太奇式表达,创造性地呈现了庞德式的现代主义诗歌特点。Ezra Pound is not only an imagist poet who dares to make innovations in European and American poetry,but also an avant-garde poet and modernist writer who can manage poetic experiments in the world poetry circle in the 20th century.Pound has fully demonstrated his outstanding talent in poetic creations through his epic poem The Cantos.Basically,The Cantos has the characteristic feature of intertextuality between the lines.Also,it is characterized by artistic features of dialogism and carnivalization.In The Cantos,through referencing Robert Browning’s“monologue”,Pound,on one hand,reveals that the“monologue”agrees with the textual style of The Cantos,and on the other hand,he creatively presents his unique Poundian modernist styles with the help of multi-voice monologues and the expressions of montage.

关 键 词：庞德 布朗宁 《诗章》 独白体 互文 

分 类 号：I106.2[文学—世界文学]