黑格尔音乐思想略论  

On Hegel’s Music Thought

作　　者：王侃[1] WANG Kan(Music Department,Jining University,Qufu 273155,China)

机构地区：[1]济宁学院音乐系,山东曲阜273155

出　　处：《济宁学院学报》2021年第3期43-46,共4页Journal of Jining University

摘　　要：在整个音乐美学史的探讨中,黑格尔的音乐思想占据相当重要的地位。他对音乐的特殊性有着较早的预言与探索,他将音乐与绘画、雕塑、建筑和诗歌区别开来,揭示了的音乐无造型性和无语义性。在辩证思维的指导下,他揭示了音乐内容与形式之关系,并提出音乐的表情性。这些都是在人们的精神、内心对外界客体艺术作品的关照中,通过辩证思维获得的历史性结论,对当下的音乐美学研究依然有重要的借鉴意义。In the discussion of the whole history of musical aesthetics,Hegel’s musical thought occupies a very important position.He made early predictions and explorations on the particularity of music,distinguished music from painting,sculpture,architecture and poetry,and revealed that music has no modelling and semantics.Under the guidance of dialectical thinking philosophy,he revealed the relationship between music content and form,and puts forward the expression of music.These are the historical boundary theory obtained in people’s absolute spirit,inner tolerance and other care for the external object works of art,and in dialectical thinking.

关 键 词：音乐思想 音乐特殊性 情感 哲学思辨 

分 类 号：K203[历史地理—历史学]