历代诗画中的商山四皓文化现象论析  

Study on Shangshan Sihao’s Cultural Phenomena in the Poems and Paintings of the Past Dynasties

作　　者：王家民[1] 孙浩章[1] 王丰[1] WANG Jia-min;SUN Hao-zhang;WANG Feng(School of Art, Xi’an University of Technology, Xi’an 710048, China)

机构地区：[1]西安理工大学艺术学院,西安710048

出　　处：《唐都学刊》2021年第3期102-107,共6页Tangdu Journal

摘　　要：商山四皓是在历代诗词歌赋、绘画装饰等艺术语言的塑造中构成的特质形象,具有儒、释、道多种内涵,属于超越历史事件本身的文史人物、文化符号和文化现象,涵盖着顺应时局的政治态度、进退有为的家国情怀、亦儒亦道的仁德典范等优秀文化传统。传承和弘扬优秀传统文化,是新时代赋予的历史使命,我们在民族文化自信建设中,应遵循历史框架,具有高度的责任担当,以艺术想象和文学创作的方式凸显四皓文化精神,服务于时代和人民的文化需求。Shangshan Sihao is a characteristic image formed in the shaping of artistic language such as poetry,painting and decoration of the past dynasties.It has multiple connotations of Confucianism,Buddhism and Taoism,which belongs to literary and historical figures,cultural symbols and cultural phenomena that transcend the historical events,covering the excellent cultural traditions such as the political attitude of conforming to the current political situation,the patriotic sentiments of knowing advance and retreat,the model of benevolence and morality of both Confucianism and Taoism.Inheriting and promoting the excellent traditional culture is the historical mission endowed by the New Era.In the construction of the national cultural self-confidence,we should follow the historical framework and have a strong sense of responsibility,highlight the cultural spirit of Shangshan Sihao through the artistic imagination and the literary creation to serve the cultural needs of the times and the people.

关 键 词：历代诗画 商山四皓 文化现象 文史特征 

分 类 号：J05[艺术—艺术理论]