音乐符号学视角下的中国传统民间音乐研究——以青海花儿为例  

Research on Chinese Traditional Folk Music from the Perspective of Music Semiotices——A Case Study of Qinghai Huaer

作　　者：张静轩 Zhang Jing-xuan

机构地区：[1]青海民族大学艺术学院,青海西宁810007

出　　处：《青海民族大学学报（社会科学版）》2021年第1期117-122,共6页Journal of Qinghai Minzu University：Social Sciences

摘　　要：音乐符号学作为20世纪产生的一门新兴学科,对音乐理论研究如音乐美学、音乐学分析、音乐心理学等学科产生重大影响。本文从音乐符号学入手,借助传统音乐理论学科下"青海花儿"这一传统音乐样态,关注音乐符号学研究视角下的理论方法与情感传递过程,理解音乐理论中经常遇见的"情感""意义""概念"等词的定义与功能,并试图找寻音乐符号学相关理论之于传统音乐事项研究的可能性,以扩大音乐符号学的运用视角。Musical Semiotics is a new subject in the 20 th century.It has a great influence on music theory such as Music Aesthetics,Musicological Analysis,Music Psychology and other disciplines.This paper focuses on the theoretical methods and emotional transmission process from the perspective of music semiotics,with the traditional music pattern of "Qinghai Huaer".This paper attempts to make readers understand the definition and function of "emotion","meaning","concept" and other words often encountered in music theory,and tries to find the possibility of applying music semiotics to the study of traditional music matters.The purpose is to expand the perspective of Music Semiotics.

关 键 词：音乐符号学 音乐记号 民间音乐 青海花儿 

分 类 号：J607[艺术—音乐]