返回作品自身——韦勒克文学作品存在论研究  

Return to the Works Themselves——Study on Wellek’s Ontology of Literary Works

作　　者：王雪[1] Wang Xue

机构地区：[1]中国社会科学院大学马克思主义学院

出　　处：《中国社会科学院研究生院学报》2021年第2期121-131,共11页Journal of Graduate School of Chinese Academy of Social Sciences

摘　　要：韦勒克的文学作品存在论是20世纪西方文学理论界重要的作品存在论之一,它诞生在传统文学作品观走向没落的转折期、实证主义思想的泛滥期和新人文主义思潮的衰落期。韦勒克作品存在论在形成过程中深受现象学与结构主义语言学的影响,并巧妙借用、融合和发展了两种思潮中的关键概念,应用到文学作品存在方式的分析中,形成了以"经验的客体""决定性的结构""八层次作品结构"和"透视主义"等重要概念为核心的文学作品存在论,以一套完整而全面的理论框架描绘了文学作品存在的本质与方式,并强调文学作品自身内部因素的重要性,将文学研究的焦点引向对作品自身的分析中。Wellek’s ontology of literary works is one of the important works ontologies among the 20 th-century Western literary theories. It was born in the turning period when the traditional view of literary works was declining, the flooding period of positivism and the fading period of new humanism. Previous studies focused more on the relationship between Wellek’s ontology of literary works and Russian formalism, Prague School, New Criticism, and less on its ideological links with phenomenology and structural linguistics. In fact, Wellek’s ontology of literary works was deeply influenced by phenomenology and structural linguistics in the process of its formation. It skillfully borrowed, merged and developed the key concepts of the two trends of thought, and applied them to the analysis of the ontology of literary works, forming important concepts like "object of experience", "structure of determination", "structure of eight-strata" and "perspectivism" as its core. It described the essence and mode of the existence of literary works with a complete and comprehensive theoretical framework, emphasized the importance of the internal factors of literary works, and directed the focus of literary research to the analysis of literary works.

关 键 词：韦勒克 作品存在论 现象学哲学 结构主义语言学 

分 类 号：I05[文学—文学理论]