节日与欢歌--广西金秀瑶族自治县“农民丰收节”音乐民族志研究  

Festival and Mirth:on Music ethnography of“Chinese Farmers’Harvest Festival”in Jinxiu Yao Autonomous County of Guangxi Province

作　　者：蒋燮[1] 向晶晶 JIANG Xie;XIANG Jingjing(Music College,Guangxi Arts University,Nanning,Guangxi 530022,China)

机构地区：[1]广西艺术学院音乐学院,广西南宁530022

出　　处：《贵州大学学报（艺术版）》2021年第3期94-102,共9页Journal of Guizhou University Art Edition

基　　金：2019年广西高校中青年教师科研基础能力提升项目“传承与变迁:广西少数民族节日音乐文化的社会景观与时空传播研究”(项目编号:2019KY0485);2017年度广西哲学社会科学规划研究课题“岭南少数民族音乐史料研究与文化发展现状评估”(项目编号:17BMZ007);2019年度广西艺术学院科研项目“广西少数民族节日音乐创作与研究”。

摘　　要：“中国农民丰收节”是国家层面专门发布设立的一个节日,具有重大的现实意义和深远的历史意义。在国家、当地政府、坳瑶民众、游客等多元表征主体的共同参与互动下,广西金秀瑶族自治县农民丰收节音乐活动展现出地方少数民族参与国家文化建构的积极行动。在传承与创新、传统与现代等综合元素文化互文的当代语境下,这一音乐活动是维系当地瑶族村落与族群和谐稳定内生秩序的一种行之有效的途径。农民丰收节及其音乐文化实践不只是对传统的“再构”,更是在复兴着悠久厚重的中华农耕文化的思想观念和人文精神,并不断赋予其新的内涵。As a festival specially set up by the State,“Chinese Farmers’Harvest Festival”is of great practical and far-reaching historical significances.The music activity of Farmers’Harvest Festival in Jinxiu Yao Autonomous County demonstrates local minorities’positive actions of participating in the construction of national culture,which involves the participation and interaction of the State,local government,Aoyao people and tourists.The event is an effective way to maintain the harmonious and stable endogenous orders of local Yao villages and ethnic groups in the contemporary cultural context of intertextuality between inheritance and innovation,and tradition and modernity.Farmers’Harvest Festival and its practice of music culture are not merely a“reconstruction”of the tradition,rather,it is the rejuvenation of the long-standing and profound cultural concepts and humanistic spirits of Chinese agrarian culture that constantly endows it with new connotations.

关 键 词：农民丰收节 音乐文化 金秀坳瑶 意义表征 国家在场 

分 类 号：J607[艺术—音乐]