谈黑人“灵歌”的自由与限制  

On the Freedom and Restriction of the Black"Soul"

作　　者：王寒松[1] WANG Han-song(Shenyang Conservatory of Music,Shenyang 110000,China)

机构地区：[1]沈阳音乐学院现代音乐学院,辽宁沈阳110000

出　　处：《赤峰学院学报（哲学社会科学版）》2021年第6期65-68,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

摘　　要：黑人“灵歌”又称作“索尔”,是灵魂的音乐,它灵动且有力量。多年来黑人“灵歌”以强烈的律动节奏、自由的情感表达和简单原始的感染力成为世界流行音乐璀璨的一颗明珠。虽然它伴随着苦难而生,但“灵歌”积极乐观的音乐特点不断地鼓舞着听者之心,让人们从尘劳中暂时脱离,投入到一片流光溢彩的听觉世界。本文从黑人“灵歌”的产生背景说起,对“灵歌”的自由与限制进行探索。The black"spiritual song",also known as"soul",is the music of the soul,it is agile and powerful.Over the years,the black"spiritual song"has become a shining pearl of world popular music with its strong rhythm,free emotional expression and simple and original appeal.Although it is born with suffering,the positive and optimistic music characteristics of"spiritual song"continue to inspire the hearts of the listeners,allowing people to temporarily escape from the dust and work and plunge into a radiant auditory world.This article starts from the background of the black"spiritual song",and explores the freedom and restriction of the"spiritual song".

关 键 词：黑人“灵歌” 流行音乐 自由 限制 

分 类 号：J605[艺术—音乐]