流亡与还乡——论《普宁》的主题兼及纳博科夫的文化立场  

Exile and Spiritual Return: On the Subject of Pnin and Nabokov’s Cultural Stand

作　　者：王立峰[1] Wang Lifeng(School of Liberal Arts,Nanjing University,Nanjing 210023,China)

机构地区：[1]南京大学文学院

出　　处：《当代外国文学》2021年第2期113-120,共8页Contemporary Foreign Literature

摘　　要：在小说《普宁》中,纳博科夫塑造了一个看似举止可笑实则内心高贵的俄国流亡知识分子形象,通过叙述视角的变化以及反讽、戏仿等修辞技巧的应用,将流亡的主题最终升华成现代人普遍的精神困境,进而回应了浪漫主义时代以来就已经开启的还乡话题。小说的形式与主题互为表里,共同构成了文本的深层内涵,其中不仅体现了纳博科夫的文化立场,更折射出他对历史及人类命运的思考。In his novel Pnin,Vladimir Nabokov creates an exiled Russian intellectual who appears to be farcical but is actually noble in heart.Applying narrative and rhetorical techniques such as irony,parody and paralepsis,the novel elevates its topic from exile to the modern individual’s spiritual dilemma.The complementary theme and style of Pnin reveal Nabokov’s literary vision and his reflections on art,history and human destiny.

关 键 词：纳博科夫 《普宁》 流亡 还乡 文化立场 

分 类 号：I712.074[文学—其他各国文学]