陈维崧骈体哀祭文三论  

Some Comments on Chen Weisong’s Elegiac Address in Rhythmical Prose Style

作　　者：陈建秋 CHEN Jian-qiu(Department of Chinese Literature,Hu'nan Normal University,Changsha 410006,China)

机构地区：[1]湖南师范大学中文系,湖南长沙410081

出　　处：《辽东学院学报（社会科学版）》2021年第3期90-96,共7页Journal of Liaodong University：Social Science Edition

基　　金：国家社会科学基金重大项目“明清骈文文献整理与研究”(18ZDA251)。

摘　　要：陈维崧作为清初骈文的主要代表作家,将骈文从晚唐以来僵固的政治性应用文体中解放了出来,提升了骈文的抒情、议论和叙事功能。陈维崧的骈体哀祭文以情为中心,合叙事写景为一体,形成了随体而变、因人而异的结构模式,展现了陈维崧积极入世的人生观。同时其哀祭文中的女性哀祭文又体现了陈维崧对理想女性的期待和当时社会对女性的真实定位。Chen Weisong,as the main representative writer of parallel prose in the early Qing Dynasty,liberated parallel prose from the rigid political application style since the late Tang Dynasty,and improved the lyric,discussion and narrative functions of parallel prose. Chen Weisong’s parallel-style elegiac address takes emotion as the center and combines narrative scenery as one,forming a structural model that changes with the style and varies from person to person,showing Chen Weisong’s positive outlook on life. Meanwhile,the women’s elegiac address also reflect Chen Weisong’s expectation for ideal women and the real positioning of women in the society at that time.

关 键 词：陈维崧 骈文 哀祭文 分体研究 

分 类 号：I222.5[文学—中国文学]