禅宗“不二圆融”美学思想挖掘与设计转译  

The Excavation and Design Translation of Zen Aesthetic Thought of“Consummate Interfusion”

作　　者：温为才[1] 时旺弟 Wen Weicai;Shi Wangdi

机构地区：[1]五邑大学,广东江门529020 [2]江门职业技术学院,广东江门529030

出　　处：《家具与室内装饰》2021年第6期7-11,共5页Furniture & Interior Design

基　　金：广东省哲学社会科学“十三五”规划学科共建项目(GD18XYS41)。

摘　　要：本文旨在挖掘禅宗“不二圆融”核心范畴美学思想,结合设计实践探讨“不二圆融”美学思想对中国文创产品审美构建的可能性。通过文献分析法及归纳演绎法,分析了“不二圆融”美学中“时空圆融”“动静圆融”“语义圆融”三个核心范畴的美学特征;运用实证法,通过生铁壶的设计实践及商业化验证了“不二圆融”美学与文创产品融合的可能性。得出结论:禅宗包含了丰富的美学思想,其“不二圆融”美学对指导我国文创产品设计实践及塑造中国当代设计审美思想有重要的作用。The paper explores the aesthetic components of Consummate Interfusion and the feasibility of applying it to the aesthetic construction of Chinese cultural and creative products based on design practice.Through literature analysis and deductive method,the aesthetic characteristics of three core categories of Consummate Interfusion,namely,Time-Space Harmony,Dynamic-Static Harmony,and Semantic Harmony were analyzed.The design and commercial practice of cast iron pot also proved the feasibility of integrating Consummate Interfusion aesthetics with cultural and creative products.It can be concluded that Zen contains rich aesthetic thoughts,and the Consummate Interfusion aesthetics plays an important role in guiding the design practice of Chinese cultural and creative products and shaping the contemporary design aesthetics of China.

关 键 词：禅宗美学 不二圆融 时空圆融 动静圆融 语义圆融 生铁壶 

分 类 号：J19[艺术—艺术理论] J01