语言观演化与中国当代诗歌  

The Evolution of Language View and Contemporary Chinese Poetry

作　　者：李心释[1] Li Xinshi(School of Liberal Arts,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学文学院,重庆400715

出　　处：《天水师范学院学报》2021年第1期8-14,共7页Journal of Tianshui Normal University

基　　金：2011年国家社科基金项目“朦胧诗以来现代汉语诗歌的语言问题研究”(11BZW096)阶段性成果。

摘　　要：对语言的探索自20世纪上半叶以来,远远超出语言学的领域,语言与人的关系在语言学内外得到了重新审视。超越语言或反语言的文学实践揭示出一个悖论:不可能有超越语言与符号之外的自由,只能悖论性地在束缚之上争取自由。近世俄国诗学对形式主义诗歌语言观的纠正,对语言的自由与创造性也有新的认知。在中国当代诗歌写作现场,"朦胧诗"以来的现代汉语诗坛有着充分的语言意识,各种关于语言的观念与诗歌写作之间相互砥砺,由语言观启动的诗学革新促成了当代诗歌写作与思考相互参照的基本向度。Since the first half of the 20 th century,the exploration of language has gone far beyond the field of linguistics.The relationship between language and human has been re-examined both inside and outside linguistics.The literary practice of transcending language or anti language reveals a paradox:there can be no freedom beyond language and symbol,but only the paradox of striving for freedom above bondage.The modern Russian poetics corrects the formalist view of poetic language and has a new understanding of the freedom and creativity of language.At the scene of contemporary Chinese poetry writing,the modern Chinese poetry world since"hazy poetry"has full language consciousness.Various concepts about language and poetry writing are mutually honed.The poetic innovation initiated by the view of language promotes the basic direction of mutual reference between contemporary poetry writing and thinking.

关 键 词：语言观 当代诗歌 写作 

分 类 号：H0-05[语言文字—语言学]