艺术时空的“破”与“立”——论数字时代宗白华“意境”美的接受问题  

The Breaking and Setting of Art Time and Space——On the Acceptance of Zong Baihua's Artistic Conception Aesthetics in the Digital Age

作　　者：董亭亭 DONG Ting-ting(School of Liberal Arts,Guizhou Normal University,Guiyang Guizhou 550001,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《菏泽学院学报》2021年第3期95-99,共5页Journal of Heze University

摘　　要：宗白华的“意境”美学思想意在营造一个情景交融、虚实相生的艺术境界。时空一体的美感营构与接受需要多种身体感官的参与互动。机械复制时代和媒介对人的无限延伸打破了传统艺术的时空秩序,导致了艺术的“光晕”消失以及身体感官的自我解除。数字时代语境下,超媒介的虚拟技术可以营造感官“沉浸”,还原意境的时空距离,实现传统艺术意境现代接受的审美突围,进而促进传统艺术意境在新时代焕发出勃勃生机。Zong Baihua’s aesthetic thought of Artistic Conception was intended to create an artistic realm in which emotion and scene blend and virtual reality coexist.The aesthetic construction and acceptance of the integration of time and space need the participation and interaction of a variety of body senses.The era of mechanical reproduction and the unlimited extension of media to human beings break the space-time order of traditional art,leading to the disappearance of halo of art and the self release of body senses.In the context of digital era,virtual technology of hypermedia can create sensory immersion,restore the space-time distance of artistic conception,realize the aesthetic breakthrough of modern acceptance of traditional artistic conception,and promote the traditional artistic conception to radiate vitality in the new era.

关 键 词：艺术时空 “破”与“立” 数字时代 意境 审美接受 

分 类 号：B83-05[哲学宗教—美学]