论《金瓶梅》中的命相叙事  

On the Narrative of Fortune-telling in Jin Ping Mei

作　　者：万晴川 WAN Qingchuan(College of Humanities,Yangzhou University,225002,Yangzhou,China)

机构地区：[1]扬州大学文学院,扬州225002

出　　处：《北方工业大学学报》2021年第2期103-110,共8页Journal of North China University of Technology

基　　金：国家社会科学基金重大项目“中国古代小说理论术语考释与谱系建构研究”(19ZDA247)。

摘　　要：受明代社会风气的影响,命相观念对《金瓶梅》进行了深度渗透。表现在人物形象塑造上,主要有“隐”和“显”两种形式,“隐”为人物形貌的静态描绘,“显”则是小说中大量命相活动的描写。“隐”与“显”彼此互文,反复皴染,使人物形象得到多维度、多视角的立体呈现;在小说结构上,命相判语又起着回环兜锁、预叙人物命运结局、作为全书叙事纲目的作用。Affected by the social conduct of the Ming Dynasty,the author penetrated his novel Jin Ping Mei with fortune-telling.There are two main forms of“implicit”and“explicit”in the characterization of the characters.“implicit”is the static depiction of a character's appearance,and“explicit”is the description of a large number of fateful activities in the novel.“implicit”and“explicit”intertextualize each other and repeatedly contaminate the characters,so that the characters'images can be presented in a multidimensional and multi-perspective ways.In the structure of the novel,the fortune-telling judgments play both the role of a looping cycle and pre-narrate the fate of the characters and the role as the narrative outline of the whole book.

关 键 词：《金瓶梅》 命相术 人物描写 结构艺术 

分 类 号：I206.2[文学—中国文学]