吉纳斯特拉的钢琴演奏技法及艺术特色——以《第一钢琴奏鸣曲》为例  

Piano Performing Techniques and Artistic Features of Genestra--Tak⁃ing Piano Sonata No.1 as an Example

作　　者：时霞[1] SHI Xia(Shenyang Conservatory of Music,Shenyang Liaoning 110000,China)

机构地区：[1]沈阳音乐学院,辽宁沈阳110000

出　　处：《保山学院学报》2021年第3期98-102,共5页JOURNAL OF BAOSHAN UNIVERSITY

基　　金：辽宁省省级课题“中国钢琴作品中戏曲元素的运用与演奏-以建国后的乐曲作品为例”(项目编号:2010KYB213)。

摘　　要：吉纳斯特拉在《第一钢琴奏鸣曲》较多地运用了断奏、连奏、八度、双音的钢琴演奏技法,甚至还创造性的使用了非周期时值的混合变拍以及非传统概念的常规节拍;通过对吉纳斯特拉《第一钢琴奏鸣曲》中演奏技法的探究,分析其作品中浓厚的阿根廷音乐文化特色、钢琴演奏的情绪艺术特色以及民间本土乐器的音调特点。Genestra’s Piano Sonata No.1 is a representative work of his fusion of national characteris⁃tics and modern techniques.In Piano Sonata No.1,Genestra made many use of staccato,legato,octave and double tone piano playing techniques,and even creatively used the mixed variation of non-periodic time value as well as the conventional beat of non-traditional concept.Through the exploration of the playing techniques in Genestra’s Piano Sonata No.1,this paper analyzes the strong cultural characteris⁃tics of Argentine music,the emotional art characteristics of piano playing and the tone characteristics of local folk Musical Instruments in his works.

关 键 词：吉纳斯特拉 《第一钢琴奏鸣曲》 钢琴演奏技法 艺术特色 

分 类 号：J62[艺术—音乐]