文化碰撞与殖民书写:论《哈尔滨女人》中的白俄女性  

Cultural Collision and Colonial Writing:An Analysis of the Emigre Russian Women in the Context of Japanese Colonization in Harbin Women

作　　者：祝然[1] ZHU Ran(Software College,Dalian University of Foreign Language,Dalian,Liaoning 116044,China)

机构地区：[1]大连外国语大学软件学院,辽宁大连116044

出　　处：《城市学刊》2021年第3期78-82,共5页Journal of Urban Studies

基　　金：国家哲学社会科学基金重大项目子课题(17ZDA277);辽宁省教育厅科学研究项目(2016JYT17)。

摘　　要：作为伪满时期唯一一部以哈尔滨地区白俄女性为主题的日本文学作品,群司次郎正的小说集《哈尔滨女人》为读者描绘出了九名栩栩如生的白俄女性,她们不仅是占有话语权的殖民者对于他者形象做出的诠释,更是殖民视阈内一种具有时代特征的集体想象。小说中,这些白俄女性被设定为舞女、情妇等特定的身份,作者一方面着力强调她们曾经显赫的身世,一方面又对她们当时悲惨的境遇进行了详细描述,是日本文学在殖民语境中对白俄形象的典型解读。As the only Japanese literary work with the theme of emigre Russian women in the period of puppet Manchu,the collection of short stories Harbin women depicts nine vivid images of emigre Russian women for the readers.They are not only the interpretation of the image made by the colonists with the right of discourse,but also a collective imagination with the characteristics of the times within the colonial vision.In the novel,these emigre Russian women are set as dancers,mistresses and other specific identities.On one hand,the author emphasizes their prominent life experiences;on the other hand,he describes their tragic situation in detail,which is a typical interpretation of the image of Russia in the colonial context of Japanese literature.

关 键 词：《哈尔滨女人》 群司次郎正 白俄 日本殖民文学 

分 类 号：I106.4[文学—世界文学]